This exhibition is part of The Hyundai Project: Korean Art Scholarship Initiative at LACMA, a global exploration of traditional and contemporary Korean art through research, publications, and exhibitions.
The exhibition has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the human endeavor。 This project is supported in part by an award from the National Endowment for the Arts。 Additional support is provided by the Henry Luce Foundation; the Korean Cultural Center, Los Angeles; and Mark and Jennifer McCormick。
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund。 Major annual support is provided by Mr。 and Mrs。 Anthony and Lee Shaw, Kitzia and Richard Goodman, Jerry and Kathleen Grundhofer, Meredith and David Kaplan, and Jeffrey Saikhon, with generous annual funding from the Judy and Bernard Briskin Family Foundation, Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Marilyn B。 and Calvin B。 Gross, Mary and Daniel James, David Lloyd and Kimberly Steward, Kelsey Lee Offield, David Schwartz Foundation, Inc。, Andy Song, Lenore and Richard Wayne, and The Kenneth T。 and Eileen L。 Norris Foundation。
Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities。
Image: Kyungwoo Chun, Light Calligraphy #1, 2004, © Kyungwoo Chun, photo courtesy of the artist